January 29, 2012
Luzia Simons - Artworks - STOCKAGE
Photography-now.com: ” In Luzia Simons work, the floral still life takes on a multi-layered  cultural and socio-political statement. For one, the artist studies the  history of the tulip, which became an important symbol of identification  in both the Orient and the Occident.  Taken from this historical  context, the tulip becomes a metaphor for cross-cultural identity,  social mobility and globalization for Luzia Simons. Today many people encounter life similar to how the tulip came to Europe  from Asia, changed through cultivation, and then returned in a new  form:  they travel, change and are rooted in more than one place at the  same time. This results in having more than one place to call home and  having new structures blending with old ones. A complex, international  self-image develops, which gives the concept of ‘identity’ a whole new  meaning. With the ‘nomad’ tulip, the artist questions the roots of the  individual in modern times. What makes us feel at home, what creates an  identity? Her flower photographs are not traditional photographs. Luzia Simons  arranges her flowers on her modified scanner, which allows for  microscopically exact reproductions of the flowers where they lay  directly on the glass. Where there are no points of contact with and a  greater distance from the glass, the results remain an abstract blur.  The mostly large-format paintings are predominantly characterized by  their extraordinary colour and spatial depth. In addition to these scanograms Luzia Simons also makes large-scale,  site-specific installations. Her works can be found worldwide in many  private and public collections.’”

Luzia Simons - Artworks - STOCKAGE

Photography-now.com: ” In Luzia Simons work, the floral still life takes on a multi-layered cultural and socio-political statement. For one, the artist studies the history of the tulip, which became an important symbol of identification in both the Orient and the Occident. Taken from this historical context, the tulip becomes a metaphor for cross-cultural identity, social mobility and globalization for Luzia Simons.

Today many people encounter life similar to how the tulip came to Europe from Asia, changed through cultivation, and then returned in a new form: they travel, change and are rooted in more than one place at the same time. This results in having more than one place to call home and having new structures blending with old ones. A complex, international self-image develops, which gives the concept of ‘identity’ a whole new meaning. With the ‘nomad’ tulip, the artist questions the roots of the individual in modern times. What makes us feel at home, what creates an identity?

Her flower photographs are not traditional photographs. Luzia Simons arranges her flowers on her modified scanner, which allows for microscopically exact reproductions of the flowers where they lay directly on the glass. Where there are no points of contact with and a greater distance from the glass, the results remain an abstract blur. The mostly large-format paintings are predominantly characterized by their extraordinary colour and spatial depth.

In addition to these scanograms Luzia Simons also makes large-scale, site-specific installations. Her works can be found worldwide in many private and public collections.’”

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January 24, 2012
A tree lined walkway in the Pakistani village of Sindh, where the trees were shrouded in ghostly cocoons created by millions of spiders climbing into the them to escape the devastating floods of 2010. (via SHOWstudio - The Home of Fashion Film)

A tree lined walkway in the Pakistani village of Sindh, where the trees were shrouded in ghostly cocoons created by millions of spiders climbing into the them to escape the devastating floods of 2010. (via SHOWstudio - The Home of Fashion Film)

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January 20, 2012
The Longest Photographic Exposures in History
The German photography artist Michael Wesely has created even longer exposures. Using large format cameras (4x5  inches) he captured the light of his objects for up to 3 years in  monochrome or colour.
In 2001 he was invited by the Museum of Modern Art in New York to use his unique technique to record the re-development of their  building. He set up eight cameras in four different corners and  photographed the destruction and re-building of the MoMa until 2004 -  leaving the shutter open for up to 34 months!

The Longest Photographic Exposures in History

The German photography artist Michael Wesely has created even longer exposures. Using large format cameras (4x5 inches) he captured the light of his objects for up to 3 years in monochrome or colour.

In 2001 he was invited by the Museum of Modern Art in New York to use his unique technique to record the re-development of their building. He set up eight cameras in four different corners and photographed the destruction and re-building of the MoMa until 2004 - leaving the shutter open for up to 34 months!

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January 15, 2012
The Showroom is a centre for contemporary art that is focused on a  collaborative and process-driven approach to production, be that  artwork, exhibitions, discussions, publications, knowledge and  relationships.
Signal:Noise II Friday 20 – Saturday 21 January 2012
About Signal:Noise Signal:Noise is an experimental cross-disciplinary research project that aims to explore the influence of cybernetics and information theory on contemporary cultural life by testing out its central idiom, ‘feedback’, through debates, performances, and events. (via SHOWROOM)

The Showroom is a centre for contemporary art that is focused on a collaborative and process-driven approach to production, be that artwork, exhibitions, discussions, publications, knowledge and relationships.

Signal:Noise II
Friday 20 – Saturday 21 January 2012

About Signal:Noise Signal:Noise is an experimental cross-disciplinary research project that aims to explore the influence of cybernetics and information theory on contemporary cultural life by testing out its central idiom, ‘feedback’, through debates, performances, and events. (via SHOWROOM)

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January 11, 2012
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December 29, 2011
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Neo-Vintage Videoworks. Skyeye (by Brenna Murphy)

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December 3, 2011
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November 30, 2011
 (via The cameras that record the moment of their own destruction - we make money not art)
” Steven Pippin’s Point Blank, a series of photos made by cameras recording the precise moment of their own destruction by a gun ”

(via The cameras that record the moment of their own destruction - we make money not art) ” Steven Pippin’s Point Blank, a series of photos made by cameras recording the precise moment of their own destruction by a gun ”

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November 16, 2011
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November 6, 2011
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CELL | 2 | design (by Keiichi Matsuda) exhibited at AlphaVille Festival London

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